Am Tag danach by Recondite cover art

Am Tag danach

Recondite

Key
3B · D♭ major
BPM
61
Double-time
122
Open Key
8d
Energy
19/100
Pop
4/100
Length
4:31
Released
2018
Genre
Techno
Loudness
-17.8 dB
ISRC
DEEC31750075

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 61 BPM in D♭ major (3B), Am Tag danach is a techno production. The feel is brooding and low-slung. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2018 production that still circulates in sets. Slower than 99% of Recondite's catalogue. In a set it works best as a warm-up or breakdown cut.

Energy:
calmer than 94% of Recondite's catalogue
Groove:
less groove-driven than 94% of Recondite's catalogue
Brightness:
darker than 87% of Recondite's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy19
Mood4Dark
Groove44
Acoustic75
Instrumental88
Live11
Speech4

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Am Tag danach in?

Am Tag danach by Recondite is in D♭ major, or 3B on the Camelot wheel.

What BPM is Am Tag danach?

Am Tag danach runs at 61 BPM.

What mixes well with Am Tag danach?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is Am Tag danach good for peak time?

With energy 19 out of 100 at 61 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

#Track

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 61 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 57-65 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 61 — beatmatch without a big tempo pull.

#Track

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Full profile
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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 61 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track