New Land (Immunity) by Jon Hopkins cover art

New Land (Immunity)

Jon Hopkins

30s preview

Key
9B · G major
BPM
121
Open Key
2d
Energy
18/100
Pop
30/100
Length
3:23
Released
2026
Genre
Ambient
Loudness
-20.3 dB
Dynamics
12.3 dB
ISRC
GBCEL2500629

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 121 BPM in G major (9B), New Land (Immunity) is a club-tempo ambient production. It reads as brooding and low-slung. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). Better known than 76% of Jon Hopkins's catalogue. In a set it works best as a warm-up or breakdown cut.

Groove:
less groove-driven than 75% of Jon Hopkins's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy18
Mood10Dark
Groove19
Acoustic93
Instrumental89
Live11
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
40%
Low
30-130 Hz
33%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
6%
High
2.5-11 kHz

FAQ

What key is New Land (Immunity) in?

New Land (Immunity) by Jon Hopkins is in G major, or 9B on the Camelot wheel.

What BPM is New Land (Immunity)?

New Land (Immunity) runs at 121 BPM, a club-tempo track.

What mixes well with New Land (Immunity)?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is New Land (Immunity) good for peak time?

With energy 18 out of 100 at 121 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

#Track

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 121 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 114-128 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 121 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 121 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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