Moments We Lost
30s preview
- BPM
- 123
- Open Key
- 3m
- Energy
- 23/100
- Pop
- 29/100
- Length
- 5:25
- Released
- 2024
- Genre
- Downtempo
- Loudness
- -28.3 dB
- Dynamics
- 16.1 dB
- ISRC
- GBW240000030
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo downtempo cut, Moments We Lost sits in B minor (10A) at 123 BPM. Tonally it lands brooding and low-slung. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 16 dB). Less groove-driven than 92% of Röyksopp's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Energy:
- calmer than 91% of Röyksopp's catalogue
- Low end:
- more treble-tilted than 91% of Röyksopp's catalogue
- Reach:
- better known than 88% of Röyksopp's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 27%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Moments We Lost in?
Moments We Lost by Röyksopp is in B minor, or 10A on the Camelot wheel.
What BPM is Moments We Lost?
Moments We Lost runs at 123 BPM, a club-tempo track.
What mixes well with Moments We Lost?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Moments We Lost good for peak time?
With energy 23 out of 100 at 123 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
![Static Sky (Ambient Mix) [Edit] by Hernan Cattaneo cover art](https://i.scdn.co/image/ab67616d00001e021bcd824b96638e5905d674fa){kind=small}
How to mix it
In 10A at 123 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More downtempo
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
