Luna Moth
30s preview
- BPM
- 124
- Open Key
- 3d
- Energy
- 23/100
- Pop
- 29/100
- Length
- 5:39
- Released
- 2004
- Genre
- Ambient
- Loudness
- -18.8 dB
- Dynamics
- 14.1 dB
- ISRC
- GBDDN0300113
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Luna Moth runs 124 BPM in D major (10B), a club-tempo ambient record. It reads as brooding and low-slung. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2004 production that still circulates in sets. Darker than 98% of Jon Hopkins's catalogue. In a set it works best as a warm-up or breakdown cut.
- Low end:
- more treble-tilted than 91% of Jon Hopkins's catalogue
- Groove:
- less groove-driven than 78% of Jon Hopkins's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 43%
- Low-mid
- 130-570 Hz
- 27%
- Upper-mid
- 570 Hz-2.5 kHz
- 1%
- High
- 2.5-11 kHz
FAQ
What key is Luna Moth in?
Luna Moth by Jon Hopkins is in D major, or 10B on the Camelot wheel.
What BPM is Luna Moth?
Luna Moth runs at 124 BPM, a club-tempo track.
What mixes well with Luna Moth?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Luna Moth good for peak time?
With energy 23 out of 100 at 124 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 124 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More ambient
More from Jon Hopkins
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
