Small Memory by Jon Hopkins cover art

Small Memory

Jon Hopkins

30s preview

Key
3B · D♭ major
BPM
131
Open Key
8d
Energy
1/100
Pop
49/100
Length
1:41
Released
2008
Genre
Ambient
Loudness
-23.3 dB
Dynamics
21.7 dB
ISRC
GBDDN0800296

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Small Memory: peak-time tempo ambient, D♭ major (3B), 131 BPM. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 22 dB). A 2008 production that still circulates in sets. Calmer than 99% of Jon Hopkins's catalogue.

Reach:
better known than 97% of Jon Hopkins's catalogue
Brightness:
brighter than 93% of Jon Hopkins's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy1
Mood48Balanced
Groove53
Acoustic99
Instrumental96
Live15
Speech9
darkrelaxedinstrumental

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
39%
Low
30-130 Hz
36%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
3%
High
2.5-11 kHz

FAQ

What key is Small Memory in?

Small Memory by Jon Hopkins is in D♭ major, or 3B on the Camelot wheel.

What BPM is Small Memory?

Small Memory runs at 131 BPM, a peak-time tempo track.

What mixes well with Small Memory?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is Small Memory good for peak time?

With energy 1 out of 100 at 131 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 131 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 123-139 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 131 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 131 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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