part iv — the veil
30s preview
- BPM
- 133
- Open Key
- 7d
- Energy
- 25/100
- Pop
- 36/100
- Length
- 3:15
- Released
- 2024
- Genre
- Electro
- Loudness
- -22.5 dB
- Dynamics
- 14.5 dB
- ISRC
- GBCEL2400098
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
part iv — the veil is a peak-time tempo electro track in F♯ major (2B) at 133 BPM. The feel is brooding and low-slung. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). More bass-heavy than 94% of Jon Hopkins's catalogue. In a set it works best as a warm-up or breakdown cut.
- Reach:
- better known than 84% of Jon Hopkins's catalogue
- Brightness:
- brighter than 78% of Jon Hopkins's catalogue
- Tempo:
- faster than 76% of Jon Hopkins's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 50%
- Low
- 30-130 Hz
- 35%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 0%
- High
- 2.5-11 kHz
FAQ
What key is part iv — the veil in?
part iv — the veil by Jon Hopkins is in F♯ major, or 2B on the Camelot wheel.
What BPM is part iv — the veil?
part iv — the veil runs at 133 BPM, a peak-time tempo track.
What mixes well with part iv — the veil?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is part iv — the veil good for peak time?
With energy 25 out of 100 at 133 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 133 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 125-141 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 133 — beatmatch without a big tempo pull.
More electro
More from Jon Hopkins
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 133 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
