Take Me - Miguel Campbell Remix
- Key
- 8A · A minor
- BPM
- 124
- Open Key
- 1m
- Energy
- 33/100
- Pop
- 0/100
- Length
- 4:47
- Released
- 2014
- Album
- Atlas (Light/Dark Deluxe Edition)
- Genre
- Dance Pop
- Loudness
- -9.9 dB
- ISRC
- AUDCB1300328
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Take Meoriginal8B · 124
- Take Meoriginal8B · 124
- Take Me - Miguel Campbell Remixremix8A · 124
- Take Me - Chloe Martini Remixremix8A · 135
- Take Me - Bareskin Remixremix5A · 125
- Take Me - Cassian Remixremix8A · 124
Against the original (8B at 124 BPM), this version holds the same tempo and moves the key from 8B to 8A.
Take Me - Miguel Campbell Remix is a club-tempo dance pop track in A minor (8A) at 124 BPM. The feel is warm and mellow. Rhythmically it is built for the dancefloor. It is vocal-led. A 2014 production that still circulates in sets. Calmer than 99% of Rufus Du Sol's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Reach:
- more underground than 99% of Rufus Du Sol's catalogue
- Groove:
- groovier than 97% of Rufus Du Sol's catalogue
- Brightness:
- brighter than 89% of Rufus Du Sol's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Take Me - Miguel Campbell Remix in?
Take Me - Miguel Campbell Remix by Rufus Du Sol is in A minor, or 8A on the Camelot wheel.
What BPM is Take Me - Miguel Campbell Remix?
Take Me - Miguel Campbell Remix runs at 124 BPM, a club-tempo track.
What mixes well with Take Me - Miguel Campbell Remix?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Take Me - Miguel Campbell Remix good for peak time?
With energy 33 out of 100 at 124 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 124 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More dance pop
More from Rufus Du Sol
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
