Daylight Is Falling (Nils Hoffmann Remix)
30s preview
- BPM
- 124
- Open Key
- 9d
- Energy
- 40/100
- Pop
- 12/100
- Length
- 3:00
- Released
- 2020
- Genre
- Progressive House
- Loudness
- -12.7 dB
- Dynamics
- 9.7 dB
- ISRC
- DELV42000747
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 124 BPM in A♭ major (4B), Daylight Is Falling (Nils Hoffmann Remix) is a club-tempo progressive house production. It reads as balanced in mood. Rhythmically it is built for the dancefloor. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Groovier than 96% of Nils Hoffmann's catalogue. In a set it works best as a warm-up or breakdown cut.
- Energy:
- calmer than 94% of Nils Hoffmann's catalogue
- Low end:
- more bass-heavy than 92% of Nils Hoffmann's catalogue
- Brightness:
- brighter than 76% of Nils Hoffmann's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 44%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 8%
- High
- 2.5-11 kHz
FAQ
What key is Daylight Is Falling (Nils Hoffmann Remix) in?
Daylight Is Falling (Nils Hoffmann Remix) by Nils Hoffmann is in A♭ major, or 4B on the Camelot wheel.
What BPM is Daylight Is Falling (Nils Hoffmann Remix)?
Daylight Is Falling (Nils Hoffmann Remix) runs at 124 BPM, a club-tempo track.
What mixes well with Daylight Is Falling (Nils Hoffmann Remix)?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Daylight Is Falling (Nils Hoffmann Remix) good for peak time?
With energy 40 out of 100 at 124 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 124 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More progressive house
More from Nils Hoffmann
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
