Street Walker
30s preview
- Key
- 4A · F minor
- BPM
- 124
- Open Key
- 9m
- Energy
- 39/100
- Pop
- 0/100
- Length
- 5:57
- Released
- 2012
- Genre
- House
- Loudness
- -8.6 dB
- Dynamics
- 11.0 dB
- ISRC
- CAT391200041
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Street Walker - Alternative Versionoriginal2B · 124
A club-tempo house cut, Street Walker sits in F minor (4A) at 124 BPM. The feel is subdued and even. Rhythmically it is built for the dancefloor. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2012 production that still circulates in sets. Groovier than 99% of Duke Dumont's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Reach:
- more underground than 99% of Duke Dumont's catalogue
- Energy:
- calmer than 98% of Duke Dumont's catalogue
- Low end:
- more bass-heavy than 93% of Duke Dumont's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Street Walker in?
Street Walker by Duke Dumont is in F minor, or 4A on the Camelot wheel.
What BPM is Street Walker?
Street Walker runs at 124 BPM, a club-tempo track.
What mixes well with Street Walker?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Street Walker good for peak time?
With energy 39 out of 100 at 124 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 124 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More house
More from Duke Dumont
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
