Overdue - Radio Edit
30s preview
- Key
- 5A · C minor
- BPM
- 123
- Open Key
- 10m
- Energy
- 37/100
- Pop
- 0/100
- Length
- 4:05
- Released
- 2013
- Album
- Overdue
- Genre
- House
- Loudness
- -8.6 dB
- Dynamics
- 11.9 dB
- ISRC
- AUKM01300756
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Overdueoriginal5A · 123
- Overdue - Late Nite Tuff Guy Remixremix4A · 118
Against the original (5A at 123 BPM), this version holds the same tempo in the same key.
A club-tempo house cut, Overdue - Radio Edit sits in C minor (5A) at 123 BPM. The feel is subdued and even. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2013 production that still circulates in sets. Groovier than 99% of Ashibah's catalogue. In a set it works best as a warm-up or breakdown cut.
- Reach:
- more underground than 99% of Ashibah's catalogue
- Energy:
- calmer than 96% of Ashibah's catalogue
- Low end:
- more bass-heavy than 78% of Ashibah's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Overdue - Radio Edit in?
Overdue - Radio Edit by Ashibah is in C minor, or 5A on the Camelot wheel.
What BPM is Overdue - Radio Edit?
Overdue - Radio Edit runs at 123 BPM, a club-tempo track.
What mixes well with Overdue - Radio Edit?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Overdue - Radio Edit good for peak time?
With energy 37 out of 100 at 123 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 123 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More house
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
