Changes
30s preview
- Key
- 8B · C major
- BPM
- 123
- Open Key
- 1d
- Energy
- 39/100
- Pop
- 15/100
- Length
- 7:32
- Released
- 2018
- Genre
- Techno
- Loudness
- -16.0 dB
- Dynamics
- 9.0 dB
- ISRC
- DEUD41807823
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo techno cut, Changes sits in C major (8B) at 123 BPM. It reads as brooding and low-slung. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2018 production that still circulates in sets. Calmer than 99% of Deborah de Luca's catalogue. In a set it works best as a warm-up or breakdown cut.
- Tempo:
- slower than 99% of Deborah de Luca's catalogue
- Low end:
- more bass-heavy than 99% of Deborah de Luca's catalogue
- Brightness:
- darker than 98% of Deborah de Luca's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 55%
- Low
- 30-130 Hz
- 34%
- Low-mid
- 130-570 Hz
- 9%
- Upper-mid
- 570 Hz-2.5 kHz
- 1%
- High
- 2.5-11 kHz
FAQ
What key is Changes in?
Changes by Deborah de Luca is in C major, or 8B on the Camelot wheel.
What BPM is Changes?
Changes runs at 123 BPM, a club-tempo track.
What mixes well with Changes?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Changes good for peak time?
With energy 39 out of 100 at 123 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 123 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More techno
More from Deborah de Luca
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
