One After
- BPM
- 123
- Open Key
- 5m
- Energy
- 38/100
- Pop
- 1/100
- Length
- 6:47
- Released
- 2008
- Genre
- Minimal
- Loudness
- -19.3 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- One Afteroriginal12A · 123
One After: club-tempo minimal, D♭ minor (12A), 123 BPM. It reads as warm and mellow. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2008 production that still circulates in sets. Slower than 93% of Gaiser's catalogue. In a set it works best as a warm-up or breakdown cut.
- Brightness:
- brighter than 89% of Gaiser's catalogue
- Energy:
- calmer than 88% of Gaiser's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is One After in?
One After by Gaiser is in D♭ minor, or 12A on the Camelot wheel.
What BPM is One After?
One After runs at 123 BPM, a club-tempo track.
What mixes well with One After?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is One After good for peak time?
With energy 38 out of 100 at 123 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 123 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More minimal
More from Gaiser
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
