Blue Giant by Stephan Bodzin cover art

Blue Giant

Stephan Bodzin

30s preview

Key
12B · E major
BPM
123
Open Key
5d
Energy
49/100
Pop
1/100
Length
7:01
Released
2015
Album
Powers of Ten
Genre
Techno
Label
Herzblut Recordings
Loudness
-12.9 dB
Dynamics
11.7 dB
ISRC
DET751400082

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Blue Giant runs 123 BPM in E major (12B), a club-tempo techno record. Tonally it lands balanced in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2015 production that still circulates in sets. Brighter than 95% of Stephan Bodzin's catalogue. In a set it works best as a mid-set roller.

Reach:
more underground than 93% of Stephan Bodzin's catalogue
Tempo:
slower than 87% of Stephan Bodzin's catalogue
Groove:
groovier than 87% of Stephan Bodzin's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy49
Mood60Balanced
Groove82
Acoustic12
Instrumental87
Live11
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
42%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
10%
High
2.5-11 kHz

FAQ

What key is Blue Giant in?

Blue Giant by Stephan Bodzin is in E major, or 12B on the Camelot wheel.

What BPM is Blue Giant?

Blue Giant runs at 123 BPM, a club-tempo track.

What mixes well with Blue Giant?

From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.

Is Blue Giant good for peak time?

With energy 49 out of 100 at 123 BPM, it works best as a mid-set roller.

Mixes harmonically

12B11B · 1B · 12A

From 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.

Every move from 12B

1BSimple Mix Upper
11BSimple Mix Downer
12ATonal Shift·
1ADiagonal Mix Upper
11ADiagonal Mix Downer
3ACompatible Tone·
2BHigh Energy Boost▲▲▲
10BHigh Energy Drain▼▼▼
3BParallel Key Upper▲▲
9BParallel Key Downer▼▼
7BTritone Jump▲▲
4BRelated Keyrisky

How to mix it

In 12B at 123 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.

Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 123 — beatmatch without a big tempo pull.

More techno

More from Stephan Bodzin

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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