The Horror
- BPM
- 123
- Open Key
- 4m
- Energy
- 51/100
- Pop
- 0/100
- Length
- 7:05
- Released
- 2018
- Genre
- Deep House
- Loudness
- -13.2 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
The Horror is a club-tempo deep house track in F♯ minor (11A) at 123 BPM. It reads as balanced in mood. Rhythmically it is built for the dancefloor. The master keeps real dynamic headroom. A 2018 production that still circulates in sets. More underground than 99% of David Hasert's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 84% of David Hasert's catalogue
- Groove:
- groovier than 83% of David Hasert's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is The Horror in?
The Horror by David Hasert is in F♯ minor, or 11A on the Camelot wheel.
What BPM is The Horror?
The Horror runs at 123 BPM, a club-tempo track.
What mixes well with The Horror?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is The Horror good for peak time?
With energy 51 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 123 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More deep house
More from David Hasert
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
