Wasting My Time With You by David Hasert cover art

Wasting My Time With You

David Hasert

30s preview

Key
8A · A minor
BPM
126
Open Key
1m
Energy
75/100
Pop
47/100
Length
3:41
Released
2024
Genre
House
Label
Kompakt
Loudness
-10.6 dB
Dynamics
9.5 dB
ISRC
DEU672400146

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A club-tempo house cut, Wasting My Time With You sits in A minor (8A) at 126 BPM. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Better known than 99% of David Hasert's catalogue. For programming, treat it as a floor-filler.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy75
Mood62Balanced
Groove74
Acoustic1
Instrumental80
Live26
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
36%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
12%
High
2.5-11 kHz

FAQ

What key is Wasting My Time With You in?

Wasting My Time With You by David Hasert is in A minor, or 8A on the Camelot wheel.

What BPM is Wasting My Time With You?

Wasting My Time With You runs at 126 BPM, a club-tempo track.

What mixes well with Wasting My Time With You?

From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.

Is Wasting My Time With You good for peak time?

With energy 75 out of 100 at 126 BPM, it works best as a floor-filler.

Mixes harmonically

8A7A · 9A · 8B

From 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.

Every move from 8A

9ASimple Mix Upper
7ASimple Mix Downer
8BTonal Shift·
9BDiagonal Mix Upper
7BDiagonal Mix Downer
5BCompatible Tone·
10AHigh Energy Boost▲▲▲
6AHigh Energy Drain▼▼▼
11AParallel Key Upper▲▲
5AParallel Key Downer▼▼
3ATritone Jump▲▲
12ARelated Keyrisky

How to mix it

In 8A at 126 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

More house

More from David Hasert

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track