Paris to Milan - Extended Mix
30s preview
- Key
- 8B · C major
- BPM
- 126
- Open Key
- 1d
- Energy
- 75/100
- Pop
- 15/100
- Length
- 5:24
- Released
- 2023
- Album
- Paris to Milan
- Genre
- House
- Label
- Cr2 Records
- Loudness
- -6.5 dB
- Dynamics
- 11.8 dB
- ISRC
- GBHAD2300042
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Paris to Milanoriginal10B · 126
- Paris to Milan (Hugo Cantarra extended remix)remix9B · 124
- Paris to Milan - Hugo Cantarra Extended Remixremix9B · 124
Against the original (10B at 126 BPM), this version holds the same tempo and moves the key from 10B to 8B.
A club-tempo house cut, Paris to Milan - Extended Mix sits in C major (8B) at 126 BPM. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Faster than 87% of Ashibah's catalogue. In a set it works best as a floor-filler.
- Groove:
- groovier than 76% of Ashibah's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Paris to Milan - Extended Mix in?
Paris to Milan - Extended Mix by Ashibah is in C major, or 8B on the Camelot wheel.
What BPM is Paris to Milan - Extended Mix?
Paris to Milan - Extended Mix runs at 126 BPM, a club-tempo track.
What mixes well with Paris to Milan - Extended Mix?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Paris to Milan - Extended Mix good for peak time?
With energy 75 out of 100 at 126 BPM, it works best as a floor-filler.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 126 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More house
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
