Sigueme - Shanti Roots Afterhours Mix
30s preview
- BPM
- 126
- Open Key
- 9d
- Energy
- 75/100
- Pop
- 0/100
- Length
- 6:10
- Released
- 2012
- Album
- Sigueme
- Genre
- House
- Label
- Sol Selectas
- Loudness
- -8.7 dB
- Dynamics
- 10.2 dB
- ISRC
- US83Z1509206
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Sigueme - Tal M Klein Balearic Ruboriginal6A · 104
- Sigueme - Lazaro Casanova Tropicasa Deep Mixoriginal4A · 120
- Sigueme - Lazaro Casanova Tropicasa Instrumentaloriginal3A · 120
- Sigueme - Sabo & DJ Afro Mixoriginal3A · 120
- Sigueme - Sabos Deep Tech Dubversion3B · 125
- Sigueme - Sabos Deep Tech Mixoriginal3B · 125
At 126 BPM in A♭ major (4B), Sigueme - Shanti Roots Afterhours Mix is a club-tempo house production. Tonally it lands bright and euphoric. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2012 production that still circulates in sets. More underground than 99% of Sabo's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more bass-heavy than 96% of Sabo's catalogue
- Tempo:
- faster than 92% of Sabo's catalogue
- Groove:
- groovier than 91% of Sabo's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 44%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Sigueme - Shanti Roots Afterhours Mix in?
Sigueme - Shanti Roots Afterhours Mix by Sabo is in A♭ major, or 4B on the Camelot wheel.
What BPM is Sigueme - Shanti Roots Afterhours Mix?
Sigueme - Shanti Roots Afterhours Mix runs at 126 BPM, a club-tempo track.
What mixes well with Sigueme - Shanti Roots Afterhours Mix?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Sigueme - Shanti Roots Afterhours Mix good for peak time?
With energy 75 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 126 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 75/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More house
More from Sabo
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
