Keep Grooving
30s preview
- Key
- 9B · G major
- BPM
- 126
- Open Key
- 2d
- Energy
- 73/100
- Pop
- 0/100
- Length
- 6:58
- Released
- 2012
- Album
- Keep Grooving EP
- Genre
- Tech House
- Loudness
- -9.9 dB
- Dynamics
- 10.3 dB
- ISRC
- USYLM1200014
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Keep Grooving - Vox DJ Tooloriginal2B · 126
At 126 BPM in G major (9B), Keep Grooving is a club-tempo tech house production. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2012 production that still circulates in sets. More underground than 99% of Carlo Lio's catalogue. For programming, treat it as a floor-filler.
- Brightness:
- brighter than 80% of Carlo Lio's catalogue
- Low end:
- more bass-heavy than 78% of Carlo Lio's catalogue
- Energy:
- calmer than 76% of Carlo Lio's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Keep Grooving in?
Keep Grooving by Carlo Lio is in G major, or 9B on the Camelot wheel.
What BPM is Keep Grooving?
Keep Grooving runs at 126 BPM, a club-tempo track.
What mixes well with Keep Grooving?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Keep Grooving good for peak time?
With energy 73 out of 100 at 126 BPM, it works best as a floor-filler.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 126 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More tech house
More from Carlo Lio
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
