Movin' Too Fast - Jamie Stevens Instrumental
30s preview
- Key
- 4A · F minor
- BPM
- 126
- Open Key
- 9m
- Energy
- 73/100
- Pop
- 0/100
- Length
- 6:57
- Released
- 2008
- Album
- Movin' Too Fast (Part II)
- Genre
- Progressive House
- Loudness
- -7.5 dB
- Dynamics
- 7.9 dB
- ISRC
- USA2P0833856
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 126 BPM in F minor (4A), Movin' Too Fast - Jamie Stevens Instrumental is a club-tempo progressive house production. Tonally it lands bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2008 production that still circulates in sets. Brighter than 99% of Jamie Stevens's catalogue. In a set it works best as a floor-filler.
- Reach:
- more underground than 99% of Jamie Stevens's catalogue
- Tempo:
- faster than 92% of Jamie Stevens's catalogue
- Groove:
- groovier than 84% of Jamie Stevens's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is Movin' Too Fast - Jamie Stevens Instrumental in?
Movin' Too Fast - Jamie Stevens Instrumental by Jamie Stevens is in F minor, or 4A on the Camelot wheel.
What BPM is Movin' Too Fast - Jamie Stevens Instrumental?
Movin' Too Fast - Jamie Stevens Instrumental runs at 126 BPM, a club-tempo track.
What mixes well with Movin' Too Fast - Jamie Stevens Instrumental?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Movin' Too Fast - Jamie Stevens Instrumental good for peak time?
With energy 73 out of 100 at 126 BPM, it works best as a floor-filler.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 126 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More progressive house
More from Jamie Stevens
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
