Kick It - Harrison BDP Remix
30s preview
- BPM
- 126
- Open Key
- 3d
- Energy
- 72/100
- Pop
- 2/100
- Length
- 5:36
- Released
- 2022
- Album
- Kick It EP
- Genre
- Tech House
- Loudness
- -9.7 dB
- Dynamics
- 12.5 dB
- ISRC
- GBKQU2254344
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Kick Itoriginal8B · 128
Against the original (8B at 128 BPM), this version runs 2 BPM slower and moves the key from 8B to 10B.
Kick It - Harrison BDP Remix runs 126 BPM in D major (10B), a club-tempo tech house record. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). Darker than 84% of Archie Hamilton's catalogue. For programming, treat it as a floor-filler.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Kick It - Harrison BDP Remix in?
Kick It - Harrison BDP Remix by Archie Hamilton is in D major, or 10B on the Camelot wheel.
What BPM is Kick It - Harrison BDP Remix?
Kick It - Harrison BDP Remix runs at 126 BPM, a club-tempo track.
What mixes well with Kick It - Harrison BDP Remix?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Kick It - Harrison BDP Remix good for peak time?
With energy 72 out of 100 at 126 BPM, it works best as a floor-filler.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 126 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More tech house
More from Archie Hamilton
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
