Call It a Tool - Tripmastaz X Basement Kid Reflip
- BPM
- 126
- Open Key
- 8d
- Energy
- 71/100
- Pop
- 0/100
- Length
- 8:31
- Released
- 2017
- Album
- Boney EP
- Genre
- Tech House
- Loudness
- -13.8 dB
- ISRC
- UK2QB0000137
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Call It a Tooloriginal3B · 124
Call It a Tool - Tripmastaz X Basement Kid Reflip runs 126 BPM in D♭ major (3B), a club-tempo tech house record. The feel is dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2017 production that still circulates in sets. More underground than 99% of Kevin Over's catalogue. For programming, treat it as a floor-filler.
- Brightness:
- darker than 98% of Kevin Over's catalogue
- Tempo:
- faster than 88% of Kevin Over's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Call It a Tool - Tripmastaz X Basement Kid Reflip in?
Call It a Tool - Tripmastaz X Basement Kid Reflip by Kevin Over is in D♭ major, or 3B on the Camelot wheel.
What BPM is Call It a Tool - Tripmastaz X Basement Kid Reflip?
Call It a Tool - Tripmastaz X Basement Kid Reflip runs at 126 BPM, a club-tempo track.
What mixes well with Call It a Tool - Tripmastaz X Basement Kid Reflip?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Call It a Tool - Tripmastaz X Basement Kid Reflip good for peak time?
With energy 71 out of 100 at 126 BPM, it works best as a floor-filler.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 126 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More tech house
More from Kevin Over
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
