Paris to Milan (Hugo Cantarra extended remix)
- Key
- 9B · G major
- BPM
- 124
- Open Key
- 2d
- Energy
- 88/100
- Pop
- 13/100
- Length
- 3:09
- Released
- 2024
- Genre
- House
- Loudness
- -7.9 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Paris to Milanoriginal10B · 126
- Paris to Milan - Extended Mixversion8B · 126
- Paris to Milan - Hugo Cantarra Extended Remixremix9B · 124
Against the original (10B at 126 BPM), this version runs 2 BPM slower and moves the key from 10B to 9B.
Paris to Milan (Hugo Cantarra extended remix) runs 124 BPM in G major (9B), a club-tempo house record. It is vocal-led. Less groove-driven than 94% of Ashibah's catalogue.
- Brightness:
- darker than 84% of Ashibah's catalogue
- Energy:
- hotter than 76% of Ashibah's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Paris to Milan (Hugo Cantarra extended remix) in?
Paris to Milan (Hugo Cantarra extended remix) by Ashibah is in G major, or 9B on the Camelot wheel.
What BPM is Paris to Milan (Hugo Cantarra extended remix)?
Paris to Milan (Hugo Cantarra extended remix) runs at 124 BPM, a club-tempo track.
What mixes well with Paris to Milan (Hugo Cantarra extended remix)?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Paris to Milan (Hugo Cantarra extended remix) good for peak time?
With energy 88 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 124 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 88/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More house
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
