Something On My Mind (Solomun Remix)
30s preview
- BPM
- 124
- Open Key
- 3d
- Energy
- 86/100
- Pop
- 37/100
- Length
- 4:03
- Released
- 2023
- Album
- Something On My Mind (Solomun Remix) (feat. Nothing But Thieves)
- Genre
- House
- Loudness
- -8.8 dB
- Dynamics
- 10.3 dB
- ISRC
- DEE862301621
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Something On My Mindoriginal8A · 118
- Something On My Mind (feat. Nothing But Thieves) [Braxe + Falcon Remix]remix9B · 123
- Something On My Mind (Solomun Remix)remix10B · 124
- Something On My Mind - Braxe + Falcon Remixremix9B · 123
- Something On My Mind (feat. Nothing But Thieves) [Braxe + Falcon Remix] - Extended Mixremix8A · 123
Against the original (8A at 118 BPM), this version runs 6 BPM faster and moves the key from 8A to 10B.
A club-tempo house cut, Something On My Mind (Solomun Remix) sits in D major (10B) at 124 BPM. Tonally it lands dark and driving. Its spectrum is weighted to the sub and kick, with a heavy low end. Darker than 93% of Duke Dumont's catalogue. For programming, treat it as a peak-time weapon.
- Reach:
- better known than 85% of Duke Dumont's catalogue
- Low end:
- more bass-heavy than 84% of Duke Dumont's catalogue
- Groove:
- less groove-driven than 76% of Duke Dumont's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Something On My Mind (Solomun Remix) in?
Something On My Mind (Solomun Remix) by Duke Dumont is in D major, or 10B on the Camelot wheel.
What BPM is Something On My Mind (Solomun Remix)?
Something On My Mind (Solomun Remix) runs at 124 BPM, a club-tempo track.
What mixes well with Something On My Mind (Solomun Remix)?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Something On My Mind (Solomun Remix) good for peak time?
With energy 86 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 124 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 86/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More house
More from Duke Dumont
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
