The Theme - DJ Edit
- BPM
- 124
- Open Key
- 8m
- Energy
- 86/100
- Pop
- 0/100
- Length
- 6:59
- Released
- 2013
- Album
- The Theme
- Genre
- Progressive House
- Label
- Heartbeats
- Loudness
- -6.4 dB
- ISRC
- GBPQS1300084
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Themeoriginal7B · 124
- The Theme - Grum DJ Editversion3A · 124
- The Theme - Russ Chimes Remixremix3A · 124
- The Theme - Daniel Trim Remixremix6B · 124
- The Theme - Those Beats Remixremix6B · 125
- The Theme - Daniel Trim Remixremix6B · 124
Against the original (7B at 124 BPM), this version holds the same tempo and moves the key from 7B to 3A.
The Theme - DJ Edit: club-tempo progressive house, B♭ minor (3A), 124 BPM. It reads as bright and euphoric. The mix is almost entirely instrumental. A 2013 production that still circulates in sets. More underground than 99% of Grum's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 91% of Grum's catalogue
- Tempo:
- slower than 79% of Grum's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is The Theme - DJ Edit in?
The Theme - DJ Edit by Grum is in B♭ minor, or 3A on the Camelot wheel.
What BPM is The Theme - DJ Edit?
The Theme - DJ Edit runs at 124 BPM, a club-tempo track.
What mixes well with The Theme - DJ Edit?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is The Theme - DJ Edit good for peak time?
With energy 86 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 124 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 86/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More progressive house
More from Grum
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
