The Theme - Radio Edit
- Key
- 4A · F minor
- BPM
- 124
- Open Key
- 9m
- Energy
- 84/100
- Pop
- 0/100
- Length
- 3:44
- Released
- 2013
- Album
- The Theme
- Genre
- Progressive House
- Label
- Heartbeats
- Loudness
- -6.7 dB
- ISRC
- GBPQS1300088
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Themeoriginal7B · 124
- The Theme - Grum DJ Editversion3A · 124
- The Theme - Russ Chimes Remixremix3A · 124
- The Theme - Daniel Trim Remixremix6B · 124
- The Theme - Those Beats Remixremix6B · 125
- The Theme - Daniel Trim Remixremix6B · 124
Against the original (7B at 124 BPM), this version holds the same tempo and moves the key from 7B to 4A.
The Theme - Radio Edit runs 124 BPM in F minor (4A), a club-tempo progressive house record. The feel is bright and euphoric. The mix is almost entirely instrumental. A 2013 production that still circulates in sets. More underground than 99% of Grum's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 93% of Grum's catalogue
- Tempo:
- slower than 79% of Grum's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is The Theme - Radio Edit in?
The Theme - Radio Edit by Grum is in F minor, or 4A on the Camelot wheel.
What BPM is The Theme - Radio Edit?
The Theme - Radio Edit runs at 124 BPM, a club-tempo track.
What mixes well with The Theme - Radio Edit?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is The Theme - Radio Edit good for peak time?
With energy 84 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 124 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 84/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More progressive house
More from Grum
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
