Eyes - Live from Joshua Tree
30s preview
- BPM
- 124
- Open Key
- 7m
- Energy
- 84/100
- Pop
- 41/100
- Length
- 4:24
- Released
- 2020
- Album
- Live from Joshua Tree
- Genre
- Dance Pop
- Label
- Rose Avenue
- Loudness
- -5.4 dB
- Dynamics
- 15.2 dB
- ISRC
- USRE12000004
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Eyesoriginal2A · 124
- Eyes (Durante & Cassian Remix)remix1A · 124
- Eyesoriginal3B · 122
Against the original (2A at 124 BPM), this version holds the same tempo in the same key.
A club-tempo dance pop cut, Eyes - Live from Joshua Tree sits in E♭ minor (2A) at 124 BPM. Tonally it lands dark and driving. It is vocal-led. The master keeps unusual dynamic range for club music (crest 15 dB). More treble-tilted than 95% of Rufus Du Sol's catalogue. For programming, treat it as a peak-time weapon.
- Energy:
- hotter than 77% of Rufus Du Sol's catalogue
- Reach:
- better known than 76% of Rufus Du Sol's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Eyes - Live from Joshua Tree in?
Eyes - Live from Joshua Tree by Rufus Du Sol is in E♭ minor, or 2A on the Camelot wheel.
What BPM is Eyes - Live from Joshua Tree?
Eyes - Live from Joshua Tree runs at 124 BPM, a club-tempo track.
What mixes well with Eyes - Live from Joshua Tree?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is Eyes - Live from Joshua Tree good for peak time?
With energy 84 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 124 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 84/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More dance pop
More from Rufus Du Sol
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
