I Know - Timo Maas & Francesco Mami FlashBack Remix
30s preview
- BPM
- 129
- Open Key
- 8d
- Energy
- 91/100
- Pop
- 25/100
- Length
- 4:30
- Released
- 2025
- Album
- I Know (Timo Maas & Francesco Mami FlashBack Remix)
- Genre
- Deep House
- Loudness
- -6.7 dB
- Dynamics
- 12.1 dB
- ISRC
- GBGLW2500711
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- I Know - Niconé Remixremix8B · 121
- I Know - Originaloriginal6B · 121
- I Know - Radio Editversion6B · 121
Against the original (6B at 121 BPM), this version runs 8 BPM faster and moves the key from 6B to 3B.
At 129 BPM in D♭ major (3B), I Know - Timo Maas & Francesco Mami FlashBack Remix is a peak-time tempo deep house production. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Better known than 96% of David Hasert's catalogue.
- Energy:
- hotter than 93% of David Hasert's catalogue
- Low end:
- more treble-tilted than 87% of David Hasert's catalogue
- Tempo:
- faster than 83% of David Hasert's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is I Know - Timo Maas & Francesco Mami FlashBack Remix in?
I Know - Timo Maas & Francesco Mami FlashBack Remix by David Hasert is in D♭ major, or 3B on the Camelot wheel.
What BPM is I Know - Timo Maas & Francesco Mami FlashBack Remix?
I Know - Timo Maas & Francesco Mami FlashBack Remix runs at 129 BPM, a peak-time tempo track.
What mixes well with I Know - Timo Maas & Francesco Mami FlashBack Remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is I Know - Timo Maas & Francesco Mami FlashBack Remix good for peak time?
With energy 91 out of 100 at 129 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
![1+1 [Album Mix] by Coyu cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/bcadf979b8ac5953c4f7.webp){kind=small}
How to mix it
In 3B at 129 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 91/100).
Similar tempo
Within ±3 BPM of 129 — beatmatch without a big tempo pull.
More deep house
More from David Hasert
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
