Sweet Lies - Spotlite Radio Edit Mix
- Key
- 8A · A minor
- BPM
- 126
- Open Key
- 1m
- Energy
- 75/100
- Pop
- 0/100
- Length
- 2:34
- Released
- 2009
- Album
- Sweet Lies (Radio Versions)
- Genre
- Tech House
- Loudness
- -6.9 dB
- ISRC
- DEBE70800147
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Sweet Liesoriginal8B · 120
- Sweet Lies - Spotlight Mixoriginal9B · 126
- Sweet Lies - Radio Editversion8B · 120
- Sweet Lies - Booka's Bitter Truth Mixoriginal10B · 126
- Sweet Lies - Booka's Easy Way Out Mixoriginal9B · 126
- Sweet Lies - Jamie Stevens Remixremix9A · 126
Against the original (8B at 120 BPM), this version runs 6 BPM faster and moves the key from 8B to 8A.
A club-tempo tech house cut, Sweet Lies - Spotlite Radio Edit Mix sits in A minor (8A) at 126 BPM. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. A 2009 production that still circulates in sets. More underground than 99% of Booka Shade's catalogue.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Sweet Lies - Spotlite Radio Edit Mix in?
Sweet Lies - Spotlite Radio Edit Mix by Booka Shade is in A minor, or 8A on the Camelot wheel.
What BPM is Sweet Lies - Spotlite Radio Edit Mix?
Sweet Lies - Spotlite Radio Edit Mix runs at 126 BPM, a club-tempo track.
What mixes well with Sweet Lies - Spotlite Radio Edit Mix?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Sweet Lies - Spotlite Radio Edit Mix good for peak time?
With energy 75 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 126 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More tech house
More from Booka Shade
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
