Every Body Knows That Song
30s preview
- Key
- 9A · E minor
- BPM
- 123
- Open Key
- 2m
- Energy
- 36/100
- Pop
- 14/100
- Length
- 4:14
- Released
- 2018
- Genre
- Techno
- Loudness
- -14.5 dB
- Dynamics
- 9.6 dB
- ISRC
- DEUD41807824
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 123 BPM in E minor (9A), Every Body Knows That Song is a club-tempo techno production. The feel is brooding and low-slung. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2018 production that still circulates in sets. Calmer than 99% of Deborah de Luca's catalogue. In a set it works best as a warm-up or breakdown cut.
- Tempo:
- slower than 99% of Deborah de Luca's catalogue
- Low end:
- more bass-heavy than 92% of Deborah de Luca's catalogue
- Groove:
- groovier than 85% of Deborah de Luca's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 47%
- Low
- 30-130 Hz
- 35%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 4%
- High
- 2.5-11 kHz
FAQ
What key is Every Body Knows That Song in?
Every Body Knows That Song by Deborah de Luca is in E minor, or 9A on the Camelot wheel.
What BPM is Every Body Knows That Song?
Every Body Knows That Song runs at 123 BPM, a club-tempo track.
What mixes well with Every Body Knows That Song?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Every Body Knows That Song good for peak time?
With energy 36 out of 100 at 123 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 123 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More techno
More from Deborah de Luca
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
