Birds by Kellerkind cover art

30s preview

Key
11B · A major
BPM
123
Open Key
4d
Energy
41/100
Pop
0/100
Length
7:21
Released
2010
Album
Sunday Morning EP
Genre
Tech House
Loudness
-12.6 dB
Dynamics
13.4 dB
ISRC
DEH741000537

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Birds runs 123 BPM in A major (11B), a club-tempo tech house record. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2010 production that still circulates in sets. More underground than 99% of Kellerkind's catalogue. In a set it works best as a warm-up or breakdown cut.

Energy:
calmer than 95% of Kellerkind's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy41
Mood48Balanced
Groove81
Acoustic51
Instrumental92
Live11
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
39%
Low
30-130 Hz
33%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
10%
High
2.5-11 kHz

FAQ

What key is Birds in?

Birds by Kellerkind is in A major, or 11B on the Camelot wheel.

What BPM is Birds?

Birds runs at 123 BPM, a club-tempo track.

What mixes well with Birds?

From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.

Is Birds good for peak time?

With energy 41 out of 100 at 123 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

11B10B · 12B · 11A

From 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.

Every move from 11B

12BSimple Mix Upper
10BSimple Mix Downer
11ATonal Shift·
12ADiagonal Mix Upper
10ADiagonal Mix Downer
2ACompatible Tone·
1BHigh Energy Boost▲▲▲
9BHigh Energy Drain▼▼▼
2BParallel Key Upper▲▲
8BParallel Key Downer▼▼
6BTritone Jump▲▲
3BRelated Keyrisky

How to mix it

In 11B at 123 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.

Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 123 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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