Between the Lines (feat. Jan-Friedrich Conrad)
30s preview
- Key
- 8B · C major
- BPM
- 124
- Open Key
- 1d
- Energy
- 42/100
- Pop
- 0/100
- Length
- 9:02
- Released
- 2014
- Album
- Between the Lines
- Genre
- Tech House
- Loudness
- -13.0 dB
- Dynamics
- 12.3 dB
- ISRC
- DEPQ61400221
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Between the Lines - Dahu Remixremix11B · 122
- Between the Lines - Original Mixoriginal8B · 124
- Between the Lines - Pablo Einzig Remixremix10A · 123
- Between the Lines (Dahu Remix) [feat. Jan-Friedrich Conrad]remix11B · 122
- Between the Lines (Pablo Einzig Remix) [feat. Jan-Friedrich Conrad]remix10A · 123
A club-tempo tech house cut, Between the Lines (feat. Jan-Friedrich Conrad) sits in C major (8B) at 124 BPM. The feel is dark and steady. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2014 production that still circulates in sets. More underground than 99% of Just Emma's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Tempo:
- faster than 96% of Just Emma's catalogue
- Brightness:
- darker than 89% of Just Emma's catalogue
- Energy:
- calmer than 84% of Just Emma's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Between the Lines (feat. Jan-Friedrich Conrad) in?
Between the Lines (feat. Jan-Friedrich Conrad) by Just Emma is in C major, or 8B on the Camelot wheel.
What BPM is Between the Lines (feat. Jan-Friedrich Conrad)?
Between the Lines (feat. Jan-Friedrich Conrad) runs at 124 BPM, a club-tempo track.
What mixes well with Between the Lines (feat. Jan-Friedrich Conrad)?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Between the Lines (feat. Jan-Friedrich Conrad) good for peak time?
With energy 42 out of 100 at 124 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 124 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More tech house
More from Just Emma
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
