Consider Oneself
30s preview
- Key
- 4A · F minor
- BPM
- 124
- Open Key
- 9m
- Energy
- 46/100
- Pop
- 0/100
- Length
- 6:46
- Released
- 2017
- Album
- Prospective Journeys
- Genre
- Techno
- Loudness
- -12.6 dB
- Dynamics
- 11.9 dB
- ISRC
- ITTQF1700002
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Consider Oneself runs 124 BPM in F minor (4A), a club-tempo techno record. It reads as dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2017 production that still circulates in sets. More underground than 99% of Joseph Capriati's catalogue. For programming, treat it as a mid-set roller.
- Energy:
- calmer than 86% of Joseph Capriati's catalogue
- Tempo:
- slower than 84% of Joseph Capriati's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Consider Oneself in?
Consider Oneself by Joseph Capriati is in F minor, or 4A on the Camelot wheel.
What BPM is Consider Oneself?
Consider Oneself runs at 124 BPM, a club-tempo track.
What mixes well with Consider Oneself?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Consider Oneself good for peak time?
With energy 46 out of 100 at 124 BPM, it works best as a mid-set roller.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 124 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More techno
More from Joseph Capriati
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
