Falling (album version)
30s preview
- BPM
- 120
- Open Key
- 3d
- Energy
- 30/100
- Pop
- 16/100
- Length
- 3:38
- Released
- 2023
- Genre
- Techno
- Loudness
- -13.9 dB
- Dynamics
- 13.6 dB
- ISRC
- DECY52401185
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 120 BPM in D major (10B), Falling (album version) is a club-tempo techno production. The feel is brooding and low-slung. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). Less groove-driven than 91% of Recondite's catalogue. In a set it works best as a warm-up or breakdown cut.
- Brightness:
- darker than 87% of Recondite's catalogue
- Energy:
- calmer than 85% of Recondite's catalogue
- Low end:
- more treble-tilted than 81% of Recondite's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 34%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 2%
- High
- 2.5-11 kHz
FAQ
What key is Falling (album version) in?
Falling (album version) by Recondite is in D major, or 10B on the Camelot wheel.
What BPM is Falling (album version)?
Falling (album version) runs at 120 BPM, a club-tempo track.
What mixes well with Falling (album version)?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Falling (album version) good for peak time?
With energy 30 out of 100 at 120 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 120 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More techno
More from Recondite
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
