Back 01 by Robag Wruhme cover art

30s preview

Key
10A · B minor
BPM
120
Open Key
3m
Energy
28/100
Pop
2/100
Length
4:26
Released
2002
Genre
Techno
Loudness
-10.2 dB
Dynamics
10.8 dB
ISRC
DEDU60250006

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 120 BPM in B minor (10A), Back 01 is a club-tempo techno production. Tonally it lands brooding and low-slung. Rhythmically it is built for the dancefloor. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2002 production that still circulates in sets. Calmer than 91% of Robag Wruhme's catalogue. In a set it works best as a warm-up or breakdown cut.

Tempo:
slower than 85% of Robag Wruhme's catalogue
Groove:
groovier than 83% of Robag Wruhme's catalogue
Low end:
more bass-heavy than 82% of Robag Wruhme's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy28
Mood14Dark
Groove84
Acoustic0
Instrumental48
Live9
Speech12

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
44%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
6%
High
2.5-11 kHz

FAQ

What key is Back 01 in?

Back 01 by Robag Wruhme is in B minor, or 10A on the Camelot wheel.

What BPM is Back 01?

Back 01 runs at 120 BPM, a club-tempo track.

What mixes well with Back 01?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Back 01 good for peak time?

With energy 28 out of 100 at 120 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 120 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 120 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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