I’m There With You
30s preview
- Key
- 7A · D minor
- BPM
- 120
- Open Key
- 12m
- Energy
- 6/100
- Pop
- 24/100
- Length
- 3:38
- Released
- 2024
- Genre
- Downtempo
- Loudness
- -30.0 dB
- Dynamics
- 17.2 dB
- ISRC
- GBW240000035
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
I’m There With You: club-tempo downtempo, D minor (7A), 120 BPM. The feel is brooding and low-slung. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 17 dB). Calmer than 98% of Röyksopp's catalogue.
- Groove:
- less groove-driven than 85% of Röyksopp's catalogue
- Low end:
- more treble-tilted than 84% of Röyksopp's catalogue
- Reach:
- better known than 81% of Röyksopp's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 43%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 4%
- High
- 2.5-11 kHz
FAQ
What key is I’m There With You in?
I’m There With You by Röyksopp is in D minor, or 7A on the Camelot wheel.
What BPM is I’m There With You?
I’m There With You runs at 120 BPM, a club-tempo track.
What mixes well with I’m There With You?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is I’m There With You good for peak time?
With energy 6 out of 100 at 120 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
How to mix it
In 7A at 120 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More downtempo
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
