Form & Void
30s preview
- BPM
- 120
- Open Key
- 4d
- Energy
- 45/100
- Pop
- 0/100
- Length
- 5:26
- Released
- 2020
- Album
- Flourish
- Genre
- Tech House
- Loudness
- -13.8 dB
- Dynamics
- 20.9 dB
- ISRC
- GB7NR2043220
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Form & Voidoriginal11B · 120
A club-tempo tech house cut, Form & Void sits in A major (11B) at 120 BPM. The groove is loose and less beat-driven. The mix is almost entirely instrumental. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 21 dB). Darker than 99% of Damian Lazarus's catalogue. In a set it works best as a warm-up or breakdown cut.
- Reach:
- more underground than 99% of Damian Lazarus's catalogue
- Groove:
- less groove-driven than 91% of Damian Lazarus's catalogue
- Low end:
- more treble-tilted than 89% of Damian Lazarus's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 26%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 30%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Form & Void in?
Form & Void by Damian Lazarus is in A major, or 11B on the Camelot wheel.
What BPM is Form & Void?
Form & Void runs at 120 BPM, a club-tempo track.
What mixes well with Form & Void?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Form & Void good for peak time?
With energy 45 out of 100 at 120 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 120 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More tech house
More from Damian Lazarus
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
