I Am The One by Biscits cover art

I Am The One

Biscits

30s preview

Key
11A · F♯ minor
BPM
127
Open Key
4m
Energy
68/100
Pop
47/100
Length
3:21
Released
2024
Genre
Tech House
Loudness
-8.7 dB
Dynamics
12.1 dB
ISRC
NL8RL2406302

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A peak-time tempo tech house cut, I Am The One sits in F♯ minor (11A) at 127 BPM. The feel is punchy, neutral in mood. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Better known than 92% of Biscits's catalogue. In a set it works best as a mid-set roller.

Energy:
calmer than 86% of Biscits's catalogue
Brightness:
darker than 86% of Biscits's catalogue
Low end:
more bass-heavy than 80% of Biscits's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy68
Mood37Balanced
Groove82
Acoustic15
Instrumental61
Live11
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
36%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is I Am The One in?

I Am The One by Biscits is in F♯ minor, or 11A on the Camelot wheel.

What BPM is I Am The One?

I Am The One runs at 127 BPM, a peak-time tempo track.

What mixes well with I Am The One?

From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.

Is I Am The One good for peak time?

With energy 68 out of 100 at 127 BPM, it works best as a mid-set roller.

Mixes harmonically

11A10A · 12A · 11B

From 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.

Every move from 11A

12ASimple Mix Upper
10ASimple Mix Downer
11BTonal Shift·
12BDiagonal Mix Upper
10BDiagonal Mix Downer
8BCompatible Tone·
1AHigh Energy Boost▲▲▲
9AHigh Energy Drain▼▼▼
2AParallel Key Upper▲▲
8AParallel Key Downer▼▼
6ATritone Jump▲▲
3ARelated Keyrisky

How to mix it

In 11A at 127 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.

Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 127 — beatmatch without a big tempo pull.

More tech house

More from Biscits

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track