State Of The Art
- BPM
- 127
- Open Key
- 6m
- Energy
- 68/100
- Pop
- 0/100
- Length
- 6:15
- Released
- 2010
- Genre
- Techno
- Loudness
- -8.2 dB
- ISRC
- GBYNV1000627
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
State Of The Art: peak-time tempo techno, A♭ minor (1A), 127 BPM. The mix is almost entirely instrumental. A 2010 production that still circulates in sets. More underground than 99% of Cari Lekebusch's catalogue.
- Brightness:
- darker than 92% of Cari Lekebusch's catalogue
- Energy:
- calmer than 83% of Cari Lekebusch's catalogue
- Tempo:
- slower than 75% of Cari Lekebusch's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is State Of The Art in?
State Of The Art by Cari Lekebusch is in A♭ minor, or 1A on the Camelot wheel.
What BPM is State Of The Art?
State Of The Art runs at 127 BPM, a peak-time tempo track.
What mixes well with State Of The Art?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is State Of The Art good for peak time?
With energy 68 out of 100 at 127 BPM, it works best as a mid-set roller.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 127 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More techno
More from Cari Lekebusch
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
