Outtake
30s preview
- Key
- 8B · C major
- BPM
- 127
- Open Key
- 1d
- Energy
- 68/100
- Pop
- 0/100
- Length
- 7:45
- Released
- 2011
- Genre
- Tech House
- Loudness
- -10.2 dB
- Dynamics
- 9.4 dB
- ISRC
- DEH741111525
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Outtakeoriginal8B · 127
- Outtake - Andreas Henneberg Remixremix9B · 126
Outtake: peak-time tempo tech house, C major (8B), 127 BPM. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2011 production that still circulates in sets. More underground than 99% of Oliver Schories's catalogue. For programming, treat it as a mid-set roller.
- Tempo:
- faster than 90% of Oliver Schories's catalogue
- Low end:
- more bass-heavy than 76% of Oliver Schories's catalogue
- Brightness:
- brighter than 75% of Oliver Schories's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 43%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 8%
- High
- 2.5-11 kHz
FAQ
What key is Outtake in?
Outtake by Oliver Schories is in C major, or 8B on the Camelot wheel.
What BPM is Outtake?
Outtake runs at 127 BPM, a peak-time tempo track.
What mixes well with Outtake?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Outtake good for peak time?
With energy 68 out of 100 at 127 BPM, it works best as a mid-set roller.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 127 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More tech house
More from Oliver Schories
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
