Outtake
- Key
- 8B · C major
- BPM
- 127
- Open Key
- 1d
- Energy
- 68/100
- Pop
- 1/100
- Length
- 7:45
- Released
- 2011
- Genre
- Tech House
- Loudness
- -10.2 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Outtakeoriginal8B · 127
- Outtake - Andreas Henneberg Remixremix9B · 126
Outtake: peak-time tempo tech house, C major (8B), 127 BPM. The feel is punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2011 production that still circulates in sets. Faster than 90% of Oliver Schories's catalogue. In a set it works best as a mid-set roller.
- Brightness:
- brighter than 75% of Oliver Schories's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Outtake in?
Outtake by Oliver Schories is in C major, or 8B on the Camelot wheel.
What BPM is Outtake?
Outtake runs at 127 BPM, a peak-time tempo track.
What mixes well with Outtake?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Outtake good for peak time?
With energy 68 out of 100 at 127 BPM, it works best as a mid-set roller.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 127 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More tech house
More from Oliver Schories
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
