Friday Night Dancing
30s preview
- Key
- 9B · G major
- BPM
- 127
- Open Key
- 2d
- Energy
- 66/100
- Pop
- 0/100
- Length
- 7:52
- Released
- 2016
- Genre
- Techno
- Loudness
- -11.0 dB
- Dynamics
- 10.8 dB
- ISRC
- UKGGD0600002
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Friday Night Dancingoriginal9B · 129
Friday Night Dancing: peak-time tempo techno, G major (9B), 127 BPM. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2016 production that still circulates in sets. More underground than 99% of Alan Fitzpatrick's catalogue. In a set it works best as a mid-set roller.
- Low end:
- more bass-heavy than 98% of Alan Fitzpatrick's catalogue
- Energy:
- calmer than 81% of Alan Fitzpatrick's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 52%
- Low
- 30-130 Hz
- 37%
- Low-mid
- 130-570 Hz
- 11%
- Upper-mid
- 570 Hz-2.5 kHz
- 0%
- High
- 2.5-11 kHz
FAQ
What key is Friday Night Dancing in?
Friday Night Dancing by Alan Fitzpatrick is in G major, or 9B on the Camelot wheel.
What BPM is Friday Night Dancing?
Friday Night Dancing runs at 127 BPM, a peak-time tempo track.
What mixes well with Friday Night Dancing?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Friday Night Dancing good for peak time?
With energy 66 out of 100 at 127 BPM, it works best as a mid-set roller.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 127 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More techno
More from Alan Fitzpatrick
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
