Get Together - Tomcraft Remix
30s preview
- BPM
- 127
- Open Key
- 8d
- Energy
- 67/100
- Pop
- 0/100
- Length
- 7:56
- Released
- 2011
- Album
- Get Together
- Genre
- Progressive House
- Label
- Craft Music
- Loudness
- -10.7 dB
- Dynamics
- 12.3 dB
- ISRC
- DEAA21100059
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Get Together - Originaloriginal9A · 127
Against the original (9A at 127 BPM), this version holds the same tempo and moves the key from 9A to 3B.
Get Together - Tomcraft Remix: peak-time tempo progressive house, D♭ major (3B), 127 BPM. The feel is dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2011 production that still circulates in sets. More underground than 99% of Spektre's catalogue.
- Energy:
- calmer than 76% of Spektre's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Get Together - Tomcraft Remix in?
Get Together - Tomcraft Remix by Spektre is in D♭ major, or 3B on the Camelot wheel.
What BPM is Get Together - Tomcraft Remix?
Get Together - Tomcraft Remix runs at 127 BPM, a peak-time tempo track.
What mixes well with Get Together - Tomcraft Remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Get Together - Tomcraft Remix good for peak time?
With energy 67 out of 100 at 127 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 127 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More progressive house
More from Spektre
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
