Mechanical - Larush Remix
30s preview
- BPM
- 127
- Open Key
- 8m
- Energy
- 72/100
- Pop
- 0/100
- Length
- 6:56
- Released
- 2009
- Album
- Mechanical
- Genre
- Progressive House
- Loudness
- -11.7 dB
- Dynamics
- 17.0 dB
- ISRC
- DEAU50910320
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Mechanical - Original Mixoriginal3A · 124
- Mechanical - Radio Editversion4B · 124
- Mechanical - Roy Rosenfeld Electro Editversion3B · 128
Against the original (3A at 124 BPM), this version runs 3 BPM faster in the same key.
At 127 BPM in B♭ minor (3A), Mechanical - Larush Remix is a peak-time tempo progressive house production. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 17 dB). A 2009 production that still circulates in sets. More underground than 99% of Roy Rosenfeld's catalogue. In a set it works best as a floor-filler.
- Low end:
- more treble-tilted than 86% of Roy Rosenfeld's catalogue
- Tempo:
- faster than 84% of Roy Rosenfeld's catalogue
- Groove:
- less groove-driven than 75% of Roy Rosenfeld's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Mechanical - Larush Remix in?
Mechanical - Larush Remix by Roy Rosenfeld is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Mechanical - Larush Remix?
Mechanical - Larush Remix runs at 127 BPM, a peak-time tempo track.
What mixes well with Mechanical - Larush Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Mechanical - Larush Remix good for peak time?
With energy 72 out of 100 at 127 BPM, it works best as a floor-filler.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 127 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More progressive house
More from Roy Rosenfeld
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
