Tri-Klops (edit mix)
- BPM
- 127
- Open Key
- 5m
- Energy
- 72/100
- Pop
- 7/100
- Length
- 4:10
- Released
- 2018
- Genre
- Techno
- Loudness
- -6.1 dB
- ISRC
- ITB841800110
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Tri-Klops (edit mix): peak-time tempo techno, D♭ minor (12A), 127 BPM. The feel is dark and driving. Rhythmically it is built for the dancefloor. A 2018 production that still circulates in sets. Calmer than 93% of T78's catalogue. For programming, treat it as a floor-filler.
- Tempo:
- slower than 80% of T78's catalogue
- Groove:
- groovier than 80% of T78's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Tri-Klops (edit mix) in?
Tri-Klops (edit mix) by T78 is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Tri-Klops (edit mix)?
Tri-Klops (edit mix) runs at 127 BPM, a peak-time tempo track.
What mixes well with Tri-Klops (edit mix)?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Tri-Klops (edit mix) good for peak time?
With energy 72 out of 100 at 127 BPM, it works best as a floor-filler.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 127 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More techno
More from T78
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
