Lost in Willaura (Soundtrack version)
30s preview
- BPM
- 128
- Open Key
- 5m
- Energy
- 34/100
- Pop
- 0/100
- Length
- 4:14
- Released
- 2008
- Genre
- Techno
- Loudness
- -15.4 dB
- Dynamics
- 13.9 dB
- ISRC
- DEQ200800176
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo techno cut, Lost in Willaura (Soundtrack version) sits in D♭ minor (12A) at 128 BPM. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2008 production that still circulates in sets. More underground than 99% of Extrawelt's catalogue.
- Low end:
- more treble-tilted than 99% of Extrawelt's catalogue
- Energy:
- calmer than 98% of Extrawelt's catalogue
- Brightness:
- darker than 94% of Extrawelt's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 39%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 7%
- High
- 2.5-11 kHz
FAQ
What key is Lost in Willaura (Soundtrack version) in?
Lost in Willaura (Soundtrack version) by Extrawelt is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Lost in Willaura (Soundtrack version)?
Lost in Willaura (Soundtrack version) runs at 128 BPM, a peak-time tempo track.
What mixes well with Lost in Willaura (Soundtrack version)?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Lost in Willaura (Soundtrack version) good for peak time?
With energy 34 out of 100 at 128 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 128 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More techno
More from Extrawelt
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
