Hypnofreak (Steve Bug's Freaked Up Mix)
30s preview
- Key
- 4A · F minor
- BPM
- 128
- Open Key
- 9m
- Energy
- 30/100
- Pop
- 5/100
- Length
- 5:53
- Released
- 2001
- Genre
- Techno
- Loudness
- -15.7 dB
- Dynamics
- 14.8 dB
- ISRC
- CAM260150001
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 128 BPM in F minor (4A), Hypnofreak (Steve Bug's Freaked Up Mix) is a peak-time tempo techno production. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). A 2001 production that still circulates in sets. Groovier than 94% of Richie Hawtin's catalogue.
- Energy:
- calmer than 77% of Richie Hawtin's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 7%
- High
- 2.5-11 kHz
FAQ
What key is Hypnofreak (Steve Bug's Freaked Up Mix) in?
Hypnofreak (Steve Bug's Freaked Up Mix) by Richie Hawtin is in F minor, or 4A on the Camelot wheel.
What BPM is Hypnofreak (Steve Bug's Freaked Up Mix)?
Hypnofreak (Steve Bug's Freaked Up Mix) runs at 128 BPM, a peak-time tempo track.
What mixes well with Hypnofreak (Steve Bug's Freaked Up Mix)?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Hypnofreak (Steve Bug's Freaked Up Mix) good for peak time?
With energy 30 out of 100 at 128 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 128 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More techno
More from Richie Hawtin
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
