Prada A Milano (Pradasphere II Soundscapes) by Richie Hawtin cover art

Prada A Milano (Pradasphere II Soundscapes)

Richie Hawtin

Key
2B · F♯ major
BPM
128
Open Key
7d
Energy
27/100
Pop
16/100
Length
1:00
Released
2023
Album
Pradasphere II (Soundscapes): Shanghai
Genre
Techno
Loudness
-23.9 dB
ISRC
USA2P2360159

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A peak-time tempo techno cut, Prada A Milano (Pradasphere II Soundscapes) sits in F♯ major (2B) at 128 BPM. The mix is almost entirely instrumental. The master keeps real dynamic headroom. Darker than 95% of Richie Hawtin's catalogue. In a set it works best as a warm-up or breakdown cut.

Energy:
calmer than 80% of Richie Hawtin's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy27
Mood3Dark
Groove53
Acoustic40
Instrumental90
Live11
Speech4

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Prada A Milano (Pradasphere II Soundscapes) in?

Prada A Milano (Pradasphere II Soundscapes) by Richie Hawtin is in F♯ major, or 2B on the Camelot wheel.

What BPM is Prada A Milano (Pradasphere II Soundscapes)?

Prada A Milano (Pradasphere II Soundscapes) runs at 128 BPM, a peak-time tempo track.

What mixes well with Prada A Milano (Pradasphere II Soundscapes)?

From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.

Is Prada A Milano (Pradasphere II Soundscapes) good for peak time?

With energy 27 out of 100 at 128 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

2B1B · 3B · 2A

From 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.

Every move from 2B

3BSimple Mix Upper
1BSimple Mix Downer
2ATonal Shift·
3ADiagonal Mix Upper
1ADiagonal Mix Downer
5ACompatible Tone·
4BHigh Energy Boost▲▲▲
12BHigh Energy Drain▼▼▼
5BParallel Key Upper▲▲
11BParallel Key Downer▼▼
9BTritone Jump▲▲
6BRelated Keyrisky

How to mix it

In 2B at 128 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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