Meet Tshetsha Boys by Ricardo Villalobos cover art

Meet Tshetsha Boys

Ricardo Villalobos

Key
3A · B♭ minor
BPM
138
Open Key
8m
Energy
35/100
Pop
3/100
Length
9:23
Released
2011
Genre
Minimal Techno
Loudness
-17.2 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A driving up-tempo minimal techno cut, Meet Tshetsha Boys sits in B♭ minor (3A) at 138 BPM. The feel is brooding and low-slung. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2011 production that still circulates in sets. Faster than 96% of Ricardo Villalobos's catalogue. For programming, treat it as a warm-up or breakdown cut.

Groove:
groovier than 92% of Ricardo Villalobos's catalogue
Energy:
calmer than 82% of Ricardo Villalobos's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy35
Mood27Dark
Groove84
Acoustic0
Instrumental84
Live6
Speech8

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Meet Tshetsha Boys in?

Meet Tshetsha Boys by Ricardo Villalobos is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Meet Tshetsha Boys?

Meet Tshetsha Boys runs at 138 BPM, a driving up-tempo track.

What mixes well with Meet Tshetsha Boys?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Meet Tshetsha Boys good for peak time?

With energy 35 out of 100 at 138 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#Track

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 138 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 138 — beatmatch without a big tempo pull.

More minimal techno

More from Ricardo Villalobos

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track