Hamburg03.07.06
30s preview
- Key
- 1B · B major
- BPM
- 142
- Half-time
- 71
- Open Key
- 6d
- Energy
- 8/100
- Pop
- 1/100
- Length
- 5:16
- Released
- 2006
- Album
- Papp-Tonikk EP
- Genre
- Techno
- Loudness
- -22.2 dB
- Dynamics
- 16.1 dB
- ISRC
- DEDU60650015
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Hamburg03.07.06: driving up-tempo techno, B major (1B), 142 BPM. The feel is brooding and low-slung. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 16 dB). A 2006 production that still circulates in sets. Less groove-driven than 99% of Robag Wruhme's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Brightness:
- darker than 99% of Robag Wruhme's catalogue
- Low end:
- more treble-tilted than 99% of Robag Wruhme's catalogue
- Energy:
- calmer than 97% of Robag Wruhme's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 21%
- Low
- 30-130 Hz
- 42%
- Low-mid
- 130-570 Hz
- 29%
- Upper-mid
- 570 Hz-2.5 kHz
- 8%
- High
- 2.5-11 kHz
FAQ
What key is Hamburg03.07.06 in?
Hamburg03.07.06 by Robag Wruhme is in B major, or 1B on the Camelot wheel.
What BPM is Hamburg03.07.06?
Hamburg03.07.06 runs at 142 BPM, a driving up-tempo track.
What mixes well with Hamburg03.07.06?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is Hamburg03.07.06 good for peak time?
With energy 8 out of 100 at 142 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 142 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 133-151 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 142 — beatmatch without a big tempo pull.
More techno
More from Robag Wruhme
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 142 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
