96:07 13:00
30s preview
- BPM
- 133
- Open Key
- 7d
- Energy
- 28/100
- Pop
- 2/100
- Length
- 7:31
- Released
- 1996
- Album
- Concept 1 96:12
- Genre
- Minimal
- Label
- From Our Minds
- Loudness
- -18.4 dB
- Dynamics
- 15.6 dB
- ISRC
- USA2P2045452
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
96:07 13:00 is a peak-time tempo minimal track in F♯ major (2B) at 133 BPM. It reads as subdued and even. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 16 dB). A 1996 production that still circulates in sets. Brighter than 88% of Richie Hawtin's catalogue. In a set it works best as a warm-up or breakdown cut.
- Reach:
- more underground than 88% of Richie Hawtin's catalogue
- Groove:
- groovier than 80% of Richie Hawtin's catalogue
- Energy:
- calmer than 79% of Richie Hawtin's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 46%
- Low
- 30-130 Hz
- 37%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 0%
- High
- 2.5-11 kHz
FAQ
What key is 96:07 13:00 in?
96:07 13:00 by Richie Hawtin is in F♯ major, or 2B on the Camelot wheel.
What BPM is 96:07 13:00?
96:07 13:00 runs at 133 BPM, a peak-time tempo track.
What mixes well with 96:07 13:00?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is 96:07 13:00 good for peak time?
With energy 28 out of 100 at 133 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 133 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 125-141 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 133 — beatmatch without a big tempo pull.
More minimal
More from Richie Hawtin
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 133 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
